Meet THE GOOD EAR REVIEW Staff —
Constance Gutkowsky
Administrator and token immigrant
Miss Gutkowsky deals with email as it comes, when it comes. Pencils are sharpened and inkwells are filled. She liaisons with our writers. Others are threatened by her due to her severe efficiency. She finishes sentences for you.
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Patience Maryanne Standish
Patience Maryanne Standish
International Affairs & Economics
Miss Standish is our international envoy. She is at expert level in Morse code and the Aldis lamp. When she isn’t mastering the semaphore flag signaling system, she is researching webby things and transmitting our website from parchment to HTMLesque ways.
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Insignificance McCluster
Insignificance McCluster
General Dogsbody
Even though Miss McCluster is our dogsbody and multi-tasker, we try to keep her to butter-churning and the baking of molasses bread. Her inability to successfully juggle tasks simultaneously has invited the office nickname “McCluster Fuck.”
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ADJUNCTY STAFF:
kdhalpin
K.D. Halpin, contributing editor/writer
K.D. Halpin is an Irish/American playwright and prose writer. Plays co-authored with Sleeveless Theatre include Womb for Rent, The F Word, War: the Mini-Series, and Emily Unplugged—and toured to the Organic Lab Theatre, Chicago; Trustus Theatre, South Carolina; The Public Theatre’s New Writing Festival, New York City; Hartford Stage, Connecticut; Women’s Theatre Festival, Philadelphia, PA; WOW Café Theatre, New York City, among others. Her plays Weird Without Apology and Sin Eaters have been produced and stage-read, respectively, at the Old Museum Arts Center in Belfast, Northern Ireland. A teacher of improvisation, character development, solo performing, and physical theatre for many years, Halpin holds a post-graduate degree in Creative Writing from Queen’s University Belfast. She splits her residency between Massachusetts and Northern Ireland.
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The Good Ear Review contact email: info@thegoodearreview.com
"I am the best judge of all things." Which is why Mr. Bexindale-Webb (knighthood pending) had appointed himself the review's Editor-in-Chief – and has been thus for the past 147 years. He is the brainchild behind The Good Ear Review and without him many urchins would be acquiring their Chimney Maintenance Certification instead of fetching his house slippers and proofing complex sentences.
